Facebook reminds me that last year, about this time, I was complaining about how there were several writers of Indian origin winning literary awards, being reviewed favorably, etc., but all were men. This year, the tide has turned just a bit. Here are some terrific recent releases on my radar by women writers — Indian or of Indian origin. And they have all tackled weighty, important themes beyond immigration/assimilation.
Note: I tend to favor the literary adult genre, as you may know if you follow my writing here. Though mostly fiction, the list also has a couple of essay collections and a historical non-fiction book. No short story collections, interestingly, though.
These are not in any particular order of preference or ranking. And, sadly, I have not read any of them cover to cover yet — only the excerpts, reviews, and interviews. Suffice to say, they have whetted my appetite enough to make me add them to my TBR list.
1/ Arundhati Roy’s ‘The Ministry of Utmost Happiness’ — It has been 20 years since her first Booker-winning novel, though she has been writing a lot of non-fiction during that time. This is a sprawling two-in-one story about civil war, communal conflict, gender identity, and a whole lot more. The best review I have read so far is Parul Sehgal’s in The Atlantic.
2/ Meena Kandasamy’s ‘When I Hit You’ — A wrenching and beautifully written fictional account of the author’s own domestic abuse, this is one of those books I want to read but I’m uncertain I can take an entire novel about domestic abuse. The best review is by Deepa D. in The Wire.
3/ S J Sindu’s ‘Marriage of a Thousand Lies’ — OK, the writer is of Sri Lankan origin but so much of the culture is similar, so allow me to include here. This is about sexual identity (LGBTQ) in a patriarchal culture, family, friendship, love, and more. I’ve also been enjoying her recent interviews and essays as part of her book promo cycle. This is one of the best by Sindu herself at Lit Hub.
4/ Thrity Umrigar’s ‘Everybody’s Son’ — Though this is about race, class, power, and privilege in America, as far as I can tell, it isn’t even India-related. Which is fine, really. And it’s blurbed by, among others, Celeste Ng, so I’m paying attention. Ausma Zehanat Khan writes a thoughtful review in The Houston Chronicle.
5/ Scacchi Koul’s ‘One Day We’ll All Be Dead and None of This Will Matter: Essays’ — These are funny, insightful essays about growing up as the daughter of Indian immigrants, dealing with patriarchal and sexist norms and stereotypes, and more. Koul is Canadian, writes for Buzzfeed, and is unashamedly controversial. Listen to this about how/why she got into a tweetstorm.
7/ Balli Kaur Jaswal’s ‘Erotic Stories for Punjabi Widows‘ — No, it’s not erotica. It’s about a bunch of Sikh widows in Southall, London, who are taking evening writing classes from a British-Indian who soon finds out that, while their English is poor, their imagination is rich and fertile. This one has already sold film rights too. Scroll.in has this thoughtful review by Shireen Quadri.
8/ Ratika Kapur’s ‘The Private Life of Mrs Sharma’ — A story about the “New Indian Dream?” Yes, the Indian equivalent of the American Dream is here to stay, folks. And it involves air-conditioned malls, high paid jobs at multi-national companies, and even extra-marital affairs. I enjoyed this interview over at The Rumpus with Kapur.
9/ Durga Chew-Bose’s ‘Too Much and Not the Mood: Essays’ — The title is from Virginia Woolf, so that got my attention. These lyrical/poetic essays are about what it is to be a first-generation creative woman today and cover a wide range of topics: identity, art, literature, movies, friendship, family, and more. Hazlitt has this terrific interview with her.
10/ Anita Anand and William Dalrymple’s ‘Kohinoor: The Story Of The World’s Most Infamous Diamond‘ — I’ve enjoyed Anand’s TV shows and her first book about Princess Sophia Duleep Singh. This is a fascinating and well-written historical account of how this diamond made its way through various Indian rulers’ hands to the East India Company and then to England. William Dalrymple is also a terrific writer, of course. This is very newly out, so the reviews are still coming. David Crane at The Spectator has this to say about “the blend of blood and bling.” I just like that phrase.
These are just the ones that have interested me in the literary adult genre. Any others that you think should be added?